00:00  Introduction (four measures): a rhythmic strumming pattern on the guitar.
00:10  First verse, first phrase. Guitar plays a melody as accompaniment.
00:18  First fill between phrases. Chords are strummed on guitar while the voice echoes.
00:25  Second phrase begins with humming; the words are said quickly to catch up with the accompaniment.
00:37  Third phrase. The end of the phrase has a vocal echo of the text.
00:50  Second verse, first phrase. The guitar sounds less authoritative and Johnson might be having problems reducing the activity to just a few notes.
01:03  Second phrase. The fill at the end of this phrase is spoken.
01:14  Third phrase. The fill at the end is talk-sing.
01:25  Third verse, first phrase. The guitar plays a clear chromatic scale.
01:35  Second phrase. Notice the bass line on the guitar.
01:44  Third phrase.
01:58  Fourth verse, first phrase. The guitar accompaniment almost stops; instead of chords, it plays one note at a time.
02:11  Second phrase. Ends with humming (fill).
02:21  Third phrase. Low notes are played on the guitar.
02:26  Sudden ending.
02:36  End.